claude monet famous paintings monet impression sunrise

This particular painting depicts a view of the monastery-island of San Giorgio Maggiore – the main subject is the Church of San Giorgio Maggiore, but on the right of the canvas, Monet has faintly painted the dome of the minor basilica Santa Maria della Salute and the mouth of the Grand Canal. In 1912, an exhibition at the Bernheim-Jeune gallery in Paris showed 29 paintings of Venice completed by Monet, which were met with much acclaim. Upon arrival to the city, Monet declared it to be “too beautiful to paint”, yet he went on to paint just under 40 canvases of Venice, which he took back to France and continued to work on. Venice had been popular among artists for centuries, and was also painted by many of Monet’s contemporaries, including Auguste Renoir and Édouard Manet. This painting was begun in 1908, when Claude Monet and his second wife visited Venice in what would be the artist’s first and only trip to the Italian city. San Giorgio Maggiore at Dusk by Claude Monet In these paintings, Monet takes a similar viewpoint to that of William Turner in his works depicting the 1834 fire that destroyed both Houses of Parliament. Out of his London works painted at the turn of the century, it is the Houses of Parliament paintings that are the most well-known and admired. In 1904, 37 of Monet’s paintings depicting various views of the Thames were exhibited in Paris at Paul Durand-Ruel’s gallery. Typical of his work in series, Monet did not complete these paintings in single sessions, and continued to work on them for several years when he was back in France, even sending for photographs of London to help him.

He painted Charing Cross Bridge and Waterloo Bridge (both of which cross the Thames) from a room in the Savoy Hotel, and painted the Houses of Parliament from a terrace at Saint Thomas’s Hospital. Houses of Parliament, Sunset by Claude Monetĭuring three trips to London between 18, Claude Monet began painting many canvases depicting the Thames River. However, the growth of Le Havre in the early 1870s represented the reconstruction and renewal of the Third French Republic. French loss in this war resulted in the end Napoleon III’s Empire and the loss of Alsace-Lorraine to Germany, and severely lowered national morale. Impression, Sunrise depicts the port of Le Havre, Monet’s hometown, and is often interpreted as a patriotic tribute to French revitalisation efforts after defeat in the Franco-Prussian War (1870-1871), also known as the Franco-German War. Although Leroy’s review was derisive about the event and this particular painting, the term “Impressionist” soon caught on, and was eventually adopted by the “Impressionists” themselves, although Edgar Degas notably preferred to call himself a “Realist” or “Independent”. Art critic Louis Leroy used its title to coin the term “Impressionist” in his satirical review of the event, which appeared in Le Charivari and was titled “L’Exposition des Impressionnistes” (“Exhibition of Impressionists”).

This painting by Claude Monet famously inspired the name of the Impressionist movement when it was displayed in 1874 at the first exhibition of the “Anonymous Society of Painters, Sculptors, Engravers etc.”.

Claude monet famous paintings monet impression sunrise